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  • Art And Architecture Remains in the Western Terai Region of Nepal

Art And Architecture Remains in the Western Terai Region of Nepal

by  Gitu Giri,
ISBN: 9788187392354
Book Name:Art And Architecture Remains in the Western Terai Region of Nepal
Author:Gitu Giri,
Publisher:ADROIT PUBLISHERS
Edition:FIRST
Language:English
Binding:Hard Back
Publish Year:2003
Total Pages:500
Availablity: Only 1 Left in Stock
NPR 1200.00

BOOK SUMMARY

About the Book: Art And Architecture: Remains in the Western Terai Region of Nepal "Terai region of Lumbini Zone situated between Narayani and Rapti rivers is an important site for the Buddhist as well as Archaeologist. This region was associated with the Sakyas and Koliya at Kapilvastu and Ramagrama (Devadaha) respectively in ancient period. Lumbini, the birth place of Lord Buddha, Kapilvastu, capital town of Sakyas, Ramagrama (Devadaha), maternal house of Buddha, and other ancient archaeological sites are located in this region. This book throws light on history, archaeological sites, identification of ancient Buddhist sites, especially Lumbini, Kapilvastu and Ramagrama, art, architecture and touristic importance of the region. The book contains geography and history of the region in brief and excavated and explored sites from where a number of art-remains has been obtained in course of archaeological activities. In the fourth chapter various Buddhist texts, excavated reports, versions of eminent scholars and Chinese account have been discussed to identify the ancient capital town of Kapilvastu. The evidences suggested that this region along with some portion of North-India, including Ganawaria and Piparahawa, had been a part of the ancient Kapilvastu. In the fifth chapter, the art-remains, viz. stone sculptures, other stone objects, humans and animals terracotta figurines, other terracotta objects, seals and sealings, coins, potteries etc. are incorporated. The result of the analysis of terracotta figurines has been incorporated here, highlighting the origin, typology and stylistic evolution of the principal forms, their techniques and contexts. This helps us to place the changing art forms and style from the pre-Mauryan to Pala-Sena periods in proper perspective.

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